Nina Shope: Fiber Artist
Talismans, folk art, and objects of creative and spiritual inspiration have helped me feel emotionally and artistically connected throughout my life. As a self-taught fiber artist, I gravitate toward the mythical, the archetypal, the strange. I embrace imagery and language that conveys a dark and compelling beauty, that explores the harrowing experience of embodiment, and that provokes empathy, connection, and transformative emotion. Hence my fascination with Frida Kahlo. She reminds us of core truths: that damage metamorphosizes, that wounds can become talismans, and that struggle can lead to the most powerful forms of expression. My work endeavors to honor a wide range of cultural influences—Mexican, Haitian, Native American, Middle Eastern, and more. I draw inspiration from the long legacy of women who told stories with needle and thread (including my own great-grandmother, whose crewel work hangs on my walls).
Ornate Frida Kahlo Hoops
One of Frida's unique strengths was her ability to allow the tendrils of her pain to burgeon into works of terrible beauty--the stems and roots of which bind us to her today. My highly elaborate embroidered hoops recreate and reinterpret Frida's paintings and drawings. I envision the threads of these artworks as continuations of those shoots, connecting me (and you) viscerally to her work. Needlework has long been considered “women’s work” and associated with what is quaint and safe and decorative and gendered—and I feel like those are associations and boundaries that Frida loved to play with and destroy in her paintings—so honoring her work through fiber art feels particularly fitting to me. Frida inspires an intense craving for spiritual communion and by entering the world of her artwork, many of us feel less alone and more bound to the world, to others, to ourselves.
Tree of Hope
My homage to one of Kahlo's most vivid paintings, "The Tree of Hope" (1946). Lacerated with color, cleaved into two selves, Kahlo sits vigil over her own wounded body in a landscape that has literally split in half. 22" round embroidered hoop art with beads, sequins, gold charm.
The Wounded Table
My recreation of Kahlo's lost masterpiece, "The Wounded Table" (1940). Frida sits at a oozing and bloody table, guest at a "last supper" in which every figure--both animate and inanimate--embodies her wounded state. 16" x 27" oval embroidered hoop art with beads, sequins, and bullion.
Blackwork Frida
Inspired by a black-and-white sketch of Frida, this large hoop utilizes the centuries-old technique of Blackwork stitching. Frida stares out from the fabric, brow overlaid by a seemingly pinioned bird, a single tear on her cheek, as her hair and lacy blouse mirror the uprooted flower suspended above her.
19"x28" oval embroidered hoop art with beads and sequins,
Without Hope
My homage to Frida's haunting painting "Without Hope" (1945). Frida lies dwarfed and naked, trapped under heavy sheets, her bed stranded in a barren volcanic landscape, her body straddled by a looming easel that props up an overflowing cornucopia of meat.





